Surprisingly, Ross Racine’s artwork is drawn freehand on a computer; “my works do not contain photographs or scanned material,” he says, but you’d be hard pressed to tell. “The subjects of my recent work may be interpreted as models for planned communities as much as aerial views of fictional suburbs, referencing the computer as a tool for urban planning as well as image capture. Investigating the relation between design and actual lived experience, the works subvert the apparent rationality of urban design, exposing conflicts that live beneath the surface.” Thanks to peacay for the link.